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Sunday, 10 April 2011

Lightroom Workflow Tip: DNG + JPEG

Posted on 19:33 by Unknown
Lightroom is awesome and I can no longer imagine using any other app as my primary photo organizer and editor.  Nonetheless, because of the way LR3 handles files, it has a few differences with other post-processing programs.

SIDECAR FILES and DNG
When working with raw files, for example, the edits that you make aren't usually saved to the file directly.  Instead, they are saved as metadata in a sidecar XMP file.  The problem is that if the XMP file and the raw file are separated by accident (during file transfers or whatever), all your edits are lost.  There are a couple of workarounds to this.  One is to require LR3 to save metadata directly into the file all the time.  To my understanding, this will require additional processing power. 

Another solution is to use DNG files.  DNG is Adobe's raw format, and is supposed to be open source.  When you use DNG, the metadata are saved directly into the file.  One issue with DNG is that not all programs support it.  For example, once a raw file is converted to DNG, it can't be opened by View NX2.

MAKERNOTES
Another issue when working with raw files in Lightroom is that LR3 can't read makernotes.  Makernotes are special additional EXIF data that are proprietary to each camera manufacturer.  For example, Nikon records information such as flash settings (FEC, whether wireless is used, which channels were used and what mode each channel was in, etc.) and many other info.  None of that can be read by LR3.  That's a lot of lost and potentially valuable info.  Plus, there are a lot of users (me included) who like the way Nikon files are processed in ViewNX2 and Capture NX2.  To me, the images look the way they appear in the preview LCD of the camera.  An unedited raw file looks better to me than the 'flatter' rendition in LR3 or Picasa.

DNG + JPEG
Many DSLRs offer the option of capturing photos as raw + JPEG.  That's the option I prefer.  Specifically, I just choose to save photos as raw + basic JPEG, then convert the raw to DNG on import to Lightroom.

Benefits compared to saving files in raw format only:
  • DNG files have the metadata embedded, so there's no chance of losing your edits
  • You get to see the makernotes in the basic JPEG file if you need it.
  • If a photo is not exactly junk that you'd delete, but not necessarily a keeper either or a shot worth editing, you can just delete the raw version and keep the basic JPEG, which won't take up too much space.
  • The incremental additional space that the basic JPEG takes up is minimal.
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Posted in dng, jpeg, lightroom, makernotes, raw, raw+jpeg | No comments

Thursday, 7 April 2011

Outperformers: 5 Products That Beat My Expectations

Posted on 22:37 by Unknown
Isn't it great when a product turns out to be better than you expected?  It's like getting something for nothing! :D  That's the case with these products.  Some of them are even flawed but I've found all of them to be far more useful than I ever imagined.

1.  ADOBE PHOTOSHOP LIGHTROOM 3
What I expected: a faster way to organize photos and edit them.  I didn't expect that much out of it, even after trying out the software. I only bought it when I found a way to get LR3 at half price legally.
What I got: it's not only perfect for organizing thousands of photos and publishing my photos online (to Picasa, Flickr, and Facebook), but is also an easy to use, incredibly fast, AND surprisingly powerful photo editor.  Despite lacking the ability to handle layers, I would absolutely recommend it as the best and most important postprocessing program that I'm aware of.
Related posts:
Intro to Lightroom 3
Moving to Lightroom 3


2. TARGUS SLING BAG
What I expected: a camera bag that would allow me to use my camera more quickly, and would allow me to carry my tripod.
What I got: the camera bag unfortunately suffered from a ripped seam, which I was able to get repaired.  Notwithstanding the less-than-stellar build quality, I find this bag extremely useful because it allows me to carry both of my camera bodies (with lenses attached), both flashes, and a tripod when I need one, all in a compact bag that I wouldn't hesitate to carry around with me.
Note: the Targus sling bag design is similar to that of the Lowepro Slingshot 202 AW, which may or may not be sturdier.
Related posts: Targus Black Label DSLR Essential Kit


3.  NIKON D70
What I expected: I decided to get a second body in order to make better use of my Sigma 50-150.  I chose a used Nikon D70 because it can be bought inexpensively and had a native sync speed of 1/500.
What I got: after getting the D70, I started using my Sigma 50-150 more often, easily by a factor of ten.  I also found out how to get unlimited sync speed (using manual flash).  At the same time, the quality of the images is still quite good for such an old camera.  Even noise is fairly well controlled.  Because of the very high sync speed, I actually prefer using the D70 over the D300 when I'm using flash in bright conditions.  All this from a camera that can be had for less than a new Nikon flash.
Related posts:
Second Body vs. Second Flash
Base ISO vs. Sync Speed
Nikon D70 Sync Speed Tests
Update to Nikon D70 Sync Speed Tests


4. 2nd CLS FLASH
What I expected:  I got an SB-600 as a second flash primarily because of the remote adjustment capability.
What I got:  Not only did the remote adjustment allow me to adjust flash exposure more quickly, but because the SB-600 is a wireless TTL unit, I've been able to coordinate its flash exposure with my SB-800 to create subtle but interesting effects.  With the immense possibilities that this creates, it's like discovering how to use flash all over again!
Related posts:
Second Search for Second Flash
In Retrospect: Second Search for Second Flash

5. MANNEQUIN HEAD
What I expected: I got a mannequin head to help me study portrait lighting.
What I got: By practicing with the mannequin head, I learned how to execute the basic portrait lighting styles (butterfly, loop, Rembrandt, split) anytime, reliably.  In addition, I was able to do experiments on fill ratios, compare the effects of different modifiers, study TTL flash exposure, and conduct a whole host of other tests, on a subject that has infinite patience.
Related post: Studying Portrait Lighting
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Tuesday, 5 April 2011

Upside Down Flash

Posted on 21:38 by Unknown

Even kids know that shining a light from below your face usually leads to a creepy horror-movie effect.  But sometimes, it does make sense to use the flash upside down.  In the shot above, the sun was acting as rim light and shining brightly from above and behind the subjects.  It is not too hard to imagine that given the sunlight's intensity, light would bounce back from the ground to give a little glow to the subject's faces.  That's the kind of light effect that I was after in this shot.

More after the jump.



I used a gold reflector (Lastolite Tri-Grip) angled to face the subjects, and rested the gold reflector on my leg.  I turned the camera upside down, with an SB-800 attached, then aimed the flash head toward the reflector.  I turned down the flash intensity (by adjusting FEC) to make sure the flash did not look unnatural, and was acting only as an accent light, not as a key light.  Here's what the shot looks like with and without the flash, using unedited SOOC (straight-out-of-the-camera) shots:


Here's another photo, shot with the same technique:


The glow from the reflector can be flattering to some subjects, making wrinkles less prominent (though my parents look younger than their age anyway even without the technique):
Crop from the shot above
If you have the Nikon Speed of Light video, Joe McNally uses a gold reflector laying flat on the ground, illuminated by flash, to give a bride an extra glow.  This is the same concept.

Other notes:
1. Be absolutely sure that there is no direct flash.  Use a flag (black foam thing) if you have to.  If there is direct flash, you will get the horror movie effect.
2. If you don't have a reflector you can bounce off the ground although it will require much more power from your flash.
3. IMPORTANT NOTE: with subjects who have a little excess fat in the neck area, you have to be careful to aim the reflector to hit only the face and not the neck.
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Updates: 35mm f/2, Canon 60D and more

Posted on 04:44 by Unknown

Shot with a Canon 35mm f/2 @ f/2.8
 
Hello, it has been a long time since my last post here, which was about my experience ordering the Canon EF 35mm f/2 as a wider angle replacement for my 50mm f/1.8. I have received the lens and I am having a great time shooting with it, so expect a review soon. I am also probably getting a Lumiquest Softbox III like the one David Hobby has. Hit the jump for more.


I will be upgrading from my Canon 550D and giving up the small size to get a Canon 60D, I will talk more about it when I get it, but here are some quick reasons why I will be doing the upgrade.
  • Despite the small size of the 550D, holding it in one hand for a long period would give me cramps in my hand, it doesn't have a comfortable grip for long shooting periods.
  • 1/8000 shutter speed vs 1/4000, sometimes I need it when shooting at wide apertures outdoors.
  • Camera can act as a wireless master flash.
  • Swiveling screen, I never thought I'd need this in a DSLR because of the slow contrast detection focusing when using the screen, but I discovered that when using my mini tripod to get shots at very low angles I cannot frame the picture good unless I am on my stomach on the ground.
  • Higher burst speed and buffer, 5.3 vs 3.7 fps might not seem like a big difference, but it is different, also my 550D had a buffer for 6 RAW images before slowing down, while the 60D has a 16 RAW images buffer.
  • ISO 1/3 stop increments versus the full stop increments on my 550D.
  • Wind filter + manual audio gain in video shooting mode (not to mention the swivel screen again).
  • Larger battery capacity (same as the 7D and the 5D).
  • Electronic level (horizontal only).
  • Top LCD for shooting information, just to save the battery from using the back LCD.
  • Weather sealing.
  • Lots of more things I don't remember.

Hopefully I will get my 60D before the weekend, we'll see then. I will be traveling to Malaysia from the 10th of April until the 15th, expect lots of photos if it is not raining there.
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Posted in 35mm f/2, Canon 60d, lumiquest softbox III | No comments

Monday, 4 April 2011

Nikon D5100 and ME-1 microphone officially announced

Posted on 21:43 by Unknown
The Nikon D5100 has been officially announced.  Price with kit lens is $899.95.  Most of the features, including 16 megapixel resolution, full HD 1080p video, side-mounted swivel LCD were as predicted by sites such as Nikon Rumors.  The fabled "Night Vision Mode" with 102400 ISO didn't materialize however.

I find the built-in HDR feature interesting.  It seems to work like the iPhone 4, taking two exposures and combining them.  Hopefully it's faster at processing the HDR photos than the iPhone 4.

It's not clear yet whether the built-in flash can act as a commander, like the Canon 600D.  On one hand the official brochure states only: "Advanced Wireless Lighting supported with SB-900, SB-800, or SB-700 as master flash, or SU-800 as commander."  On the other hand, Digital Photography Review lists in the specs that: "Advanced Wireless Lighting supported with built-in flash, SB-900, SB-800, SB-700 or SU-800 as commander and SB-900, SB-800, SB-700, SB-600 or SB-R200 as remotes."
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Posted in D5100, nikon | No comments

Counting My Blessings

Posted on 12:01 by Unknown

A lot happened last week:

- Got the Coco Ring Flash Adapter.  Will post a review, and give instructions to fit it on an SB-800 and SB-600.
- Got a Fotodiox 8x12 Soft Box.  Will review.
- Went to Michaels to get foam paper (to create another flag aka BFT) and found a set of three 11x14 frames on sale for just $10! :D
- Downloaded and read Mitchell Kanashkevich's Seeing the Light.  Will review.
- Downloaded Mitchell's Captivating Color.  Will read and review.
- Got our daughter's baptism shots.  Learned a few things...
- Did a shot shooting upside down.  Came out well.  Under what circumstances does that make sense?  (This one did not involve cheating the flash sync speed - although that's one valid reason.)
- Did a product photo shot that I thought would take a minute and instead took an hour.  Will post and deconstruct.
- Got a Groupon for a portrait session with Yuen Lui Studio.  My parents are visiting and it would be nice if we have a family portrait at the beach or something.  I'm also curious how exactly a pro shoots a portrait on location.

Those are some of the things I plan to post about the next couple of weeks.

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Posted in | No comments

Friday, 1 April 2011

BFP Shooting Cap

Posted on 10:21 by Unknown

Are you frustrated by the difficulty of checking your shots in bright sunlight?  Well, your problems are now solved!  Introducing the exclusive Better Family Photos Shooting Cap!

This innovative cap design includes high-tech flaps to block sunlight, allowing you to check your LCD under any conditions.  With the BFP Cap you can now be sure you'll get the absolute best family photos -- even in the middle of a raging volcano!


Our MSRP is $99.95.  But for a limited time, we are offering it at just $49.95!  A savings of over 50%!!!  What a deal!!!
- Compatible with film cameras.
- Comes with 48-page user manual.
- Free 1-year subscription to Better Family Photos blog
- Be the envy of all your photographer friends!

Call now!  Operators are standing by!
Read More
Posted in "april fool's", humor | No comments
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Blog Archive

  • ▼  2013 (165)
    • ▼  December (5)
      • Olympus E-PL3 with 14-42 Lens $199; Moving from Ni...
      • Sigma 18-35 1.8 Revisited; Where to Get It
      • Speedlight Modifiers - 50% discount at Fotodiox
      • Olympus M.Zuiko 45mm f/1.8 Mini Review
      • Evening Portraits with Flash
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